Trinity College Exam Hall Classical

importantal architecture is a language that speaks to us with antiquity. The mental testing dormitory room, once Theatre, on the campus of ternion College nifty of Ireland can be viewed as a neo- light construction, built during the Georgian era. Neo- absolute architecture is the revival of Greek and roman type classicalism that took place in the eighteenth and nineteenth centuries. This revival of architecture as James Adams, a famous English architect said, was ready to seize with some peak of success, the beautiful spirit of antiquity, which is quintessentiall(a)y seen in the examination pressure group.The exterior of the Exam sign exposes classical semblances of the Roman Corinthian Order while the inner is adorned using a classical discolour pallet and dash. This paper testament explore the reasons why trio College Dublins Exam mansion, macrocosm a neo-classical building, can be measured classical. The Exam Halls architectural structure and decorations derive purely from the world of classicalism with minor exceptions. This predominance of classicism is why the Exam Hall is justifiably classical. Sir William house was the visionary of the Exam Hall though he did not see through its construction.He became fascinated in the revival of classicism through his study of architecture in Italy. Chambers innovation for the Exam Hall resembled some of his other works that can be seen in Ireland. One such building precedent to the Exam Hall is the casino at Marino. Casino at Marino was commissi mavind by Sir William Chambers in 1773 and is acknowledged as the most important neo-classical building in Ireland. The columns, overall symmetry, as nearly as a portico are a few manipulate classical motifs the two buildings have in common.The kinglike Exchange building, now Dublins City Hall, designed by Thomas Cooley in 1769 is the spitting image of Trinity College Dublins Exam Hall. The Royal Exchange building was the first neo-classical public b uilding in Dublin and acted as a manifesto for the new style. Both buildings are rich in neo-classicism, which displays classical themes throughout. They specifically display close to identical columns holding a single pediment as well as unanimity and balance. In comparing the Exam Hall to famed neo-classical buildings we can deduce that we are rightful in describing Trinity College Dublins Exam Hall as be classical.Chambers classical style shined in much of his work, specifically the exam hall. Trinity Colleges Exam Hall can be described as classical because it is built following the guidelines of Corinthian Order. During the period of classical architecture the Greeks founded the authentic three recountsDoric, Ionic, and Corinthiandifferent classical styles of building that followed certain rules and numeral ratios. The Romans adopted these orders and made them their own. Roman Corinthian Order is the style of the Exam Hall.The most distinctive element is the columns, whic h support an entablature. The Exam Halls columns contain equable unfluted shafts made from Portland Stone, a highly sought after stone at the time. The column capital is ornate as all classical capitals are. The capital is decorated with acanthus leaves and small volutes. There is also a fleuron in the fondness of the abacus, which lie atop the column capital. The capitals are also made of Portland stone. The entablature, being held up by the columns, contains three discrete elements that are classical in architecture.The Exam Hall exemplifies all three of these elements. The architrave and frieze are found to be smooth while the cornice contains dentils, another common attribute to Roman Corinthian Order. The base of Roman Corinthian Order columns are usually basic and have low pedestals, the Exam Halls are slightly larger. The Pantheon in Rome, Italy, which was built in the classical era is an example of an awe-inspiring architectural masterpiece that is built using Roman Corin thian Order columns in truth similar in design to the ones on the Exam Hall.The classical interior of the Exam Hall serves just as aesthetically beautiful as the exterior. Classical interior designs were very common during the Georgian Era as seen in the Exam Hall. Perfect harmony and balance are key elements portrayed in classic interiors. When walking into the Exam Hall one is brought into a large elegant open room. The room is steeped in tradition. Classic designed rooms often contain large focal points all other items within the room are placed in order to enhance the look of the chosen focal point.The large groin vaulted chamber with a semi-circular apse serves as the focal point in the Exam Hall. The regal portraits on the walls are hung in opposing sides as if to guide your eyes to the apse. The walls and ceiling display magnificent stuccowork done by Michael Stapleton, a notable stuccodore in Ireland. The exterior style was seen in the interior of the Exam Hall. The Hall co ntains engaged Corinthian pilasters as well as a frieze decorated with stuccowork. Shades of cream, grays, sage greenswere popular in neo-classicism.Colors were frequently brightened by the lavish use of goldleaf. The Exam Halls walls are a beautiful sage green and the room displays goldleaf as a contrast to the sage green. The interior is notably pure neo-classical from the color pallet and stuccowork to the pilasters and apse. The grandiose interior is a place of harmony and symmetry. The pure classical style portrayed in the Exam Hall is seen in the interior and exterior. The Exam Halls classical elegance is met with exceptions that make us ponder whether we can truly call the Exam Hall classical.The smooth ashlar granite countered with the rusticated granite on the lower half of the facade is not seen as classical. This style was first seen in the sixteenth century. I would struggle that we can indeed define the Exam Hall as classical. The ratios in the building and symmetry of not only the Exam clan alone, but of that and the chapel which is nearly identical in exterior characteristics, forms a symmetrical front square at Trinity College Dublin. The perfect mathematical ratios and thought out symmetry bring pure harmony to the architecture.The Exam Hall is justifiably classical despite the exceptions. As a concluding point, it is appropriate to say that the Exam Hall is of classical attribute. The exterior brought harmony and balance as a building on its own and to the trend Square of Trinity College Dublin. The interior allowed for a soothing relief with its piquet walls and ornate stuccowork. William Chambers, Christopher Myers and Michael Stapleton created a magnificent building enriched in classicism. Despite the acquire for modern exceptions the Exam Hall is virtuously classical. Works Cited Baker, William T.Architectural Excellence in a Diverse World Culture. Mulgrave, Vic. Images Pub. , 2008. Print. Lucey, Conor. The Stapleton Collection Designs for the Irish Neoclassical Interior. Tralee Churchill House, 2007. Print. OReilly, Sean D. The Casino at Marino. Dublin, Ireland Office of Public Works, 1991. Print. Stillman, Damie. English Neo-classical Architecture. London Zwemmer, 1988. Print. Summerson, John. The Classical wording of Architecture. Cambridge M. I. T. , 1966. Print. Wilson, Jones. M. 1989. Designing the Roman Corinthian order. Journal of Roman Archaeology. 2, pp. 35-69