Comparison Of Perugino And Caravaggio :: essays research papers

The artists of the fancy had a remarkably distinct style than artists of the spiritual rebirth due to their different approach to form, space, and composition. This extreme specialty in style resulted in a in truth different manipulation of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a word- moving picture cannot be seen more than in comparing Peruginos Christ Delivering the Keys of the state to St. Peter from the Early Renaissance to Caravaggios Conversion of St. Paul from the Baroque.Perugino was sensation of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the body politic to St.Peter was very sop upar. He outlined all the figures with a black line adult t hem a sense of stability, permanence, and power in their environment, unless narrowing the figures sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific consequence in time by their rigid outline. Peruginos approach to the figuresthemselves is super humanistic and classical. He shines light on the figures in a clear, tear down way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated every present and over such as this to convey a rational solvent and to show the viewer clarity. Peruginos approach to space was also very rational and simple. He organizes space along three simple planes foreground, midsection ground, and background. Christ and Saint Peter occupy the center foreground and noble choruses of saints and citizens occupy th e rest of the foreground. The middle distance is filled with miscellaneous figures, which musical accompaniment the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and sniffy arches from Roman antiquity occupy the background, reinforcing the overall classical message to the painting even though the event represented in the painting took place long before the Roman Empire. The center temple that occupies the background has a vanishing point running through its doorway and if it werent for this illusionistic technique, the painting would be very two-dimensional.