Vanessa FloerkeWestern International UniversityHUM/201 World Culture and the ArtsRuth ToddSeptember 24, 2006IntroductionHello, and welcome to this virtual(prenominal) Museum Tour. In this tour atomic number 18 tack ons from different types of craft forms, including Visual Art, Architecture, euphony and Literature. The six selected pieces span historical eras from definitive Greece of 500 - 323 B.C., the ripe Roman Republic era of 509 B.C. - 27 B.C., and all the bureau up to the Early gothic and the churrigueresco time terminuss. These selections were chosen because of both their cultural significance, cultural cross-currents, and their salmon pink and craftsmanship. Enjoy the tour. Calyx-Krater With the wipeout of Aktaion ? Visual Art PieceThis piece comes from the mere Greece time period (500 ? 323 B.C.), was created in 430 B.C., and is from Hellenic Mythology, mainly the demolition of Aktaion. In Greek Mythology, Aktaion was the son of Aristaeus and Autonoe in Boeot ia, and the nephew of Artemis, the goddess of the hunt. The legend states that Aktaion was vaporing one mean solar day that he was a better hunter than Artemis. Atermis, infuriated by his claims, turned him into a stag (deer), to be eaten by his hunting dogs.
There are 2 other stories, one creation that Aktaion walked in on Artemis while she was bathing, and upon staring at her nude painting body, infuriated Artemis to the point that she punished him by forbidding him to speak. If Aktaion verbalise he would be turned into a stag, thus eaten by his aver dogs. Yet another story dictates that Aktaion was courtin g Semele, who was besides his aunt, and inc! urred genus Zeus?s wrath because Aktaion made Zeus jealous. This piece was created utilise the Attic Red Figure Technique, which was quite a intricate process. To create a finished piece of red-figure clayware the tamper and the painter join forces. If you want to get a broad(a) essay, order it on our website: OrderCustomPaper.com
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